Line Breaks & Other Violent Crimes

These are things I think about in order to stay alive in Los Angeles.

email me here: eccantwell at gmail dot com

poetbabble:

(via ewilcox)

Eunoia is an interesting work, to be sure. Bok is a talented artist. I just can’t get over him as a human. In every instance/interview/film I’ve seen of him, he yields such an utter lack of humility and, simultaneously, an undeniable self-congratulatory spirit, I find him hard to stomach. Thus, I don’t consider him in a long-term, credible way; he seems to be missing the things that make people with talent truly great, IMHO.

Still, I wish he would prove that assessment wrong.

Yeah … I posted this without comment, mostly because it just interested me. Not because I agreed with it. I think a lot of the stuff he does is fascinating, but I also think there is undeniably an attitude there that takes a little of the joy out of it.

I also feel like many people who do experimental art (not just poets, but across the board) have such a disdain for what they see as more “traditional” artists … and it shouldn’t be that way. I mean, I like all sorts of stuff, the “traditional” and the way-out-there.  I like writing that makes me think, whether it rhymes, or is fashioned out of syllables and sounds, or it revolves around an “I” speaker. Do I have to choose sides?

Posted at 10:51am.

poetbabble:

(via ewilcox)
Eunoia is an interesting work, to be sure. Bok is a talented artist. I just can’t get over him as a human. In every instance/interview/film I’ve seen of him, he yields such an utter lack of humility and, simultaneously, an undeniable self-congratulatory spirit, I find him hard to stomach. Thus, I don’t consider him in a long-term, credible way; he seems to be missing the things that make people with talent truly great, IMHO.
Still, I wish he would prove that assessment wrong.

Yeah … I posted this without comment, mostly because it just interested me. Not because I agreed with it. I think a lot of the stuff he does is fascinating, but I also think there is undeniably an attitude there that takes a little of the joy out of it.
I also feel like many people who do experimental art (not just poets, but across the board) have such a disdain for what they see as more “traditional” artists … and it shouldn’t be that way. I mean, I like all sorts of stuff, the “traditional” and the way-out-there.  I like writing that makes me think, whether it rhymes, or is fashioned out of syllables and sounds, or it revolves around an “I” speaker. Do I have to choose sides?
  1. realitysautographs reblogged this from ecantwell
  2. poetbabble reblogged this from ecantwell and added:
    Absolutely not. I think it’s fine (obligatory?) to enjoy the art as separate from the artist - in part. And I’m in...
  3. ecantwell reblogged this from poetbabble and added:
    posted this without comment, mostly because it...interested me. Not because I agreed with...
  4. ecantwell posted this

Notes: