LINE BREAKS & OTHER VIOLENT CRIMES

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theparisreview:

Deeply tragic, deeply instructive. 
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theparisreview:

Deeply tragic, deeply instructive. 

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'\x3cspan id=\x22audio_player_51322212267\x22\x3e\x3cdiv class=\x22audio_player\x22\x3e\x3ciframe class=\x22tumblr_audio_player tumblr_audio_player_51322212267\x22 src=\x22http://ecantwell.tumblr.com/post/51322212267/audio_player_iframe/ecantwell/tumblr_mndc6czbxl1qz9swp?audio_file=http%3A%2F%2Fwww.tumblr.com%2Faudio_file%2Fecantwell%2F51322212267%2Ftumblr_mndc6czbxl1qz9swp\x26color=white\x26simple=1\x22 frameborder=\x220\x22 allowtransparency=\x22true\x22 scrolling=\x22no\x22 width=\x22207\x22 height=\x2227\x22\x3e\x3c/iframe\x3e\x3c/div\x3e\x3c/span\x3e'
  • 78 Plays

I haven’t been around much lately. Here’s some classic Carly Simon to make up for it. 

    • #nobody does it better
  • 11 hours ago
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Hello, new home.
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Hello, new home.

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henryskrimshander:

I’ll take these odds.
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henryskrimshander:

I’ll take these odds.

  • 5 days ago > henryskrimshander
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Garage sale time! #moving
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Garage sale time! #moving

    • #moving
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anticipatedstranger:

Many more here.

(via poetrysociety)

Source: anticipatedstranger

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Holy shit, you guys, I found the first draft of my 90-page senior thesis, complete with a million edits. 
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Holy shit, you guys, I found the first draft of my 90-page senior thesis, complete with a million edits. 

    • #writing means editing
    • #can't believe i'm going to have to do this all over again with my dissertation
  • 1 week ago
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Interrobang | Red Hen Press

Hey! My very talented friend Jessica Piazza has a book of poetry coming out with Red Hen Press, and you can preorder it now if you click the link! 

If you want a taste of the book, here’s a little excerpt to get you excited.

Automatonophilia

Love of things that falsely represent a sentient being

You married a marionette for the lumbering way
that she succumbs to teeth. You saw; she sways

and says okay. And she admires the daze
you move in, hydroplaning days away:

exultant accidents. Instead of me,
a blissful wooden girl; a wooden knee

submitted for exhibit. Deadened trees:
the shelter you inhabit. And didn’t we

expect it, eking out animatronic
epochs on the sofa? Both electric—

me with boredom; you ran programs: tricks
for trenchant eyes. Disguised, the lists you ticked

led straight to this. Your love nest: nuts and bolts,
no musts. No lust. No faults, and no one’s fault.


Oh, and there’s a great video interpretation of that poem if you’re the type who likes to watch.

What are you waiting for? 

    • #poetry
    • #jessica piazza
    • #interrobang
  • 1 week ago
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henryskrimshander:

Old postcards.

Moving is the best when it involves unearthing things like this. 
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henryskrimshander:

Old postcards.

Moving is the best when it involves unearthing things like this. 

    • #how could you not fall in love with a guy who sends you this
  • 1 week ago > henryskrimshander
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theartofgooglebooks:

Throughout An Almanack for the Year of our Lord 1657 by S. B. (1657). Original from Indiana University. Digitized August 9, 2011.


This feels applicable to parts of my mind. 
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theartofgooglebooks:

Throughout An Almanack for the Year of our Lord 1657 by S. B. (1657). Original from Indiana University. Digitized August 9, 2011.

This feels applicable to parts of my mind. 

  • 1 week ago > theartofgooglebooks
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The controversy [over whether cosmic rays consisted of charged particles or not] inspired European scientists to measure cosmic ray intensities in the most diverse locations and the highest altitudes … The development of pressurized balloon cabins allowed physicists to bob up to unprecedented altitudes in search of cosmic rays. The first balloon flight to the stratosphere occurred on May 27, 1931, when Auguste Piccard, a former pupil of Einstein, and Charles Kipfer, his assistant, took an electroscope up from Augsburg, now part of West Germany. When the hot sun of the heights baked the seven-foot cabin, the crew survived by licking drops of water off the walls. Italian poet Gabriele d’Annunzio, moved by the thought of courting death in the name of knowledge, begged Piccard to be taken on a flight; never one to miss the opportunity for an extravagant gesture, D’Annunzio announced his readiness to be thrown overboard as ballast if necessary. Far better to die the noble death of being tossed from a balloon, the poet said, than to pass away ‘shamefully between two sheets.’


Such flights contributed to little except the romance of science.

Robert P. Crease and Charles C. Mann, The Second Creation: Makers of the Revolution in Twentieth-Century Physics. 


    • #i love poets so much
    • #even better when they are hanging out with scientists
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As the two theorists [Werner Heisenberg and Wolfgang Pauli] worked on their long and painful proof of the relativistic invariance of quantum electrodynamics they began to suspect the existence of new, more intractable infinities. The prospect was so dark that Pauli threatened to quit physics and live in the countryside, writing utopian novels.

Robert P. Crease and Charles C. Mann, The Second Creation: Makers of the Revolution in Twentieth-Century Physics. 

You know a situation is dark when Career As Utopian Novelist is threatened.

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Here is no water but only rock Rock and no water and the sandy road The road winding above among the mountains Which are mountains of rock without water 
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Here is no water but only rock
Rock and no water and the sandy road
The road winding above among the mountains
Which are mountains of rock without water 

    • #eliot
    • #the waste land
    • #palm springs
  • 2 weeks ago
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How To Correspond With A Writer

Like many other writers on Tumblr and on the Internet in general, my inbox is full of messages like this:

“Hey can you look at my writing when you get a chance?”

“When are you going to respond to my email?”

“I write poems and it would be great if you could look at them when you have time!” 

Many of these messages are phrased very kindly, and include wording like “when you have time,” or “if you want.” But messages like these, no matter how nicely they’re worded, are never going to get a response from me. And sometimes I start to feel guilty about that. I was feeling guilty about that this morning, for example. So I started to really think about why these messages are never going to get a response from me.

Writing is a weird thing. And for generations—for CENTURIES—the way writers who are just starting out have gained momentum and confidence and insight into their fledgling work is by finding older/more experienced writers who can take an interest in shaping their voices. In helping them find the way. There are countless examples of now-famous writers who once wrote impassioned letters to other famous writers asking for advice, for insight on their work. And I actually love that the Internet has made it so much easier for young writers to reach out to other writers—only good things can come of more communication. As a teacher, I think it’s incredibly important to take young writers seriously, to respond to people who are actively reaching out, actively trying to take the next step.

But there’s an etiquette to that communication that I fear is being lost. 

I’ve responded to many emails and Tumblr messages over the past years. I’ve also deleted many emails and Tumblr messages without ever responding. What’s the difference between those I respond to and those I don’t?

Well, anyone who writes with a specific thought or request or dilemma will have my attention. I recently exchanged emails with a young writer from Nepal who was concerned about the way his society judged people who wanted to devote themselves to poetry and other arts. That’s something worth talking about. I’ve also responded to writers who have enclosed one or two specific poems they want feedback on—it’s obvious these writers have thought about their work, have chosen a few things they’re proud of, and are making the leap to open a part of themselves up to a stranger. Which is a huge step to take, and as someone who was a young, floundering writer not very long ago, I take that seriously.

I have several writer friends with whom I exchange work, and we always respect the one-or-two-poem rule; if we’re really going to give feedback on each other’s work, we know that such feedback is a real commitment on the part of a writer. Responding to one or two poems with a real desire to enter into a conversation about that person’s work takes time. Even with people I know and love, we’ll sometimes give each other a few weeks to respond to such requests. Because, like I said, it’s a commitment—and we have pretty busy lives. 

So it’s tough for me to respond to messages that simply say “Please look at my writing.” How much of your writing? Where is it? I don’t want to have to go to someone’s Tumblr, scroll through 10 pages of selfies/memes/gifs to get to the poems—and even at that point, be left with the burden of potentially having to look at a lot of this writer’s poems, as they’ve given me no guidance as to what pieces need feedback.

And I guess that’s the real issue here. Just messaging a writer on Tumblr and saying “Look at my writing” shows a lack of respect for that writer. A lack of respect for what it means to actually respond to work in a thoughtful way. A lack of respect for what it means to actually BE a writer.

I have the suspicion that a lot of the people who ask me (and other writers) to simply “take a look at” their writing are actually looking for affirmation, not real feedback. And that’s fine. Affirmation is important, and writers, of all people, need that A LOT. I know that! I’m married to another writer and we drive each other crazy with the affirmation neediness! But that’s a different conversation to have, and ought to be framed in a different way. 

Listen, here’s what I’m trying to say: I want to help you. I want to have a conversation with you. I want to read your work. But you have to HELP ME HELP YOU. Help me. Help you. This goes for any and all writers you might want to reach out to. And just because the Internet loves lists, here are a few guidelines for just how to start a meaningful correspondence with another writer: 

  1. Only email or message a writer if you have a specific question or thought for that writer.
  2. If you want feedback on your writing, enclose one or two pieces (and no more than that!) in your email or message.
  3. Be sure you actually want feedback. Remember that, for any young writer, helpful feedback will never be completely affirmative. Your work is not perfect or possibly even that great yet (and that’s normal! my early poems were awful! my work STILL needs work!) - so only ask for feedback if you know that, and you really want to hear about possible weaknesses in your work. Possible areas where you could work harder. 
  4. Respect the writer’s life outside of Tumblr/email. If the writer has not responded to you within two or three days, do not email the writer back and say “when are you going to respond?” Writers have lives. Sometimes it may take as much as a month for a thoughtful response. Understand that if you haven’t received a reply to a well-motivated, specific email or message, it’s probably because the writer is waiting until they have the time to properly respond to you. 

It’s that easy! Help us writers help you. I love you guys, you’re great, PLEASE keep writing and keep reading and keep thinking.

Just take a second before sending that next Tumblr message.

    • #writing
    • #correspondence
    • #tumblr messages
  • 2 weeks ago
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Going through a drawer I found the submissions/applications log I’ve kept off and on over the years. Just in case you think it’s all been roses I’d like to report that Yaddo rejected me (as recently as 2011). McDowell rejected me. Hedgebrook rejected me twice. The Georgia Review rejected me and Ploughshares rejected me and Tin House rejected me, as did about twenty other journals and magazines. Both The Sun and The Missouri Review rejected me before I appeared in their pages. Literary Arts declined to give me a fellowship three times before I won one. I’ve applied for an NEA five times and it’s always been a no. Harper’s magazine never even bothered to reply. I say it all the time but I’ll say it again: keep on writing. Never give up. Rejection is part of a writer’s life. Then, now, always.

Cheryl Strayed | Facebook

Cheryl knows.

(via therumpus)

True facts. 

(via therumpus)

    • #love your rejections
  • 2 weeks ago > therumpus
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About

I write poems. These are things I think about in order to stay alive in Los Angeles.

If you are alive too, email me: eccantwell at gmail dot com

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